dc.contributor.author | Pessin, Beth | |
dc.contributor.author | Schmitz, Kathryn | |
dc.contributor.author | Seabon, Pamela | |
dc.contributor.author | Smith, Kathleen | |
dc.contributor.author | Waltzer, Deborah | |
dc.date.accessioned | 2008-04-30T16:40:39Z | |
dc.date.available | 2008-04-30T16:40:39Z | |
dc.date.issued | 1991 | |
dc.identifier.uri | http://hdl.handle.net/1850/6112 | |
dc.description | NTID FOCUS is published by the Division of
Public Affairs at the National Technical Institute
for the Deaf, a college of Rochester Institute of
Technology, Rochester, New York.
Director,
Marcia B. Dugan;
Editor,
Lynne Bohlman;
Coordinator, Publications,
Susan Cergol;
Writers,
Beth M. Pessin,
Kathryn Schmitz,
Pamela Seabon,
Kathleen Smith,
Deborah R. Waltzer;
Art Director,
Colleen Collins, RIT Communications;
Photography,
Robert Iannazzi—p. 2,
A. Sue Weisler—pp. 3, 8-11, 13, 18, 20 (top),
22-23, 27-28, 30-32,
Courtesy of Kevin Nolan—p. 4,
Courtesy of Peter Waskewicz—p. 5,
Courtesy of H. Mitchell Goldberg—pp. 6-7,
Chun Louie—p. 15,
Katherine Eismann—p. 17 (top left and right),
Kevin Doyle—p. 17 (bottom left),
Thomas Stringfellow—p. 19,
Marc Demoly—p. 20 (bottom),
Bruce Wang—pp. 24-26,
Courtesy of the Industry-Labor Council—p. 29. | |
dc.publisher | Rochester Institute of Technology | |
dc.subject | FOCUS | |
dc.subject | Magazine | |
dc.subject | NTID | |
dc.title | NTID Focus | |
dc.type | Magazine | |
dc.description.tableOfContents | An Issues Issue (p. 2) | |
dc.description.tableOfContents | Liberty & Justice for All? (p. 3) | |
dc.description.tableOfContents | Architectural Aspirations (p. 6) | |
dc.description.tableOfContents | Deaf Vision (p. 8) | |
dc.description.tableOfContents | Award-Winning Performances (p. 11) | |
dc.description.tableOfContents | Pas de Deux (p. 16) | |
dc.description.tableOfContents | Culture in the Curriculum (p. 19) | |
dc.description.tableOfContents | RIT's Social Scene (p. 23) | |
dc.description.tableOfContents | The Work Network (p. 27) | |
dc.description.tableOfContents | Focus on...Dorothy Guinan (p. 30) | |